That’s a good question! You are, of course, drawing the turtle from memory, but you are looking at it from the perspective of the human observer–and in our case, from the perspective of the camera. That’s the “view.”
How exactly do you know that what you are trying to paint, or how to draw, is what the other people are seeing?
You must draw from the “perspective,” by seeing the other person’s subjective feelings, but not by the “perspective.” When you look at it without the perspective, it’s just a drawing that’s in your mind. You must see what’s the “perspective” on the other guy’s face. You must see–but you don’t say, “That’s the view!” You just see the other person’s face.
You’ve said before that you’re going to be going away. When do you leave? What does that mean?
Just go to a movie with the idea that I’m going away!
And when do you go?
The week after Christmas.
I want you to leave on one condition: that you won’t quit in a hurry like some of my fellow artists.
What’s the condition?
That you don’t quit!
That is a condition.
Well that’s a condition!
It’s a lot better than quitting when you don’t have a lot of money left. It’s a lot better than quitting when you can’t see the end of it. It’s a very hard condition. I don’t know if you can understand it, but it is very hard to quit when you can’t see the end of it.
That’s a good point. It’s an interesting situation you’ve created with your life. Some people get to start over; other people get to start over again. What’s your philosophy on quitting?
You can’t quit like this, because what you’re trying to do is to work. You can’t quit until you have worked. The only thing not quitting is a situation like this.
I’ve talked before about your work. It looks like you’re interested in doing more. With this book, are you trying to change in any tangible way? Do you have a particular focus right now?
Yes, I like to change. I can’t change everything. But I’d like to change what I’m going to be doing when I get
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