“I have no idea how the dress came about. I had seen it a few times by the time I was about 16, but I had no idea of what it was for, or exactly what it was all about,” a spokeswoman for the museum told The Telegraph at the time.
After graduating from high school in the UK, the schoolgirl studied art history at the University of Birmingham.
After her graduation in 1974 she became involved in a campaign for suffrage and campaigned in the UK and around the world for women’s rights.
Image copyright EPA Image caption The “tattooed woman” campaigned to increase women’s rights and change the dress
She had a major exhibition at the National Gallery in London and a major public relations campaign to have the costume withdrawn.
In 1975 she was honoured with a knighthood.
It wasn’t until the 1980s that a more modern dress, with high heels and a “pierced back” neckline, was created.
The costume has been out of fashion since then but its popularity is still strong in the US.
Who are the “tattooed women”?
In some regions, tattoos are a traditional form of beauty enhancement
In the US, there is a belief that tattoos represent strong women who can protect a family
While the idea of a tattoo on a woman’s forehead seems quite popular, the tradition can be seen in other places
Some US tattoo studios have been criticised because the process can be dangerous
What are the claims being made about the controversy around the costume?
Critics accuse the Museum of Science of London of putting more money into the museum than into its work
The museum has also been accused of being biased against women, and is accused of not being “transparent” about its spending
The museum’s head of British studies, Professor Mary Beard, has also been accused.
The National Museum of the American Indian (NMAAI) in Washington DC also faces criticism.
When this article was first published in 2011 a spokesperson for the NMAAI said: “It is sad that a body as rich and historically significant as the National Museum of the American Indian (NMAAI) can appear so concerned with a single woman’s appearance.”
She told the BBC that a “historically significant” costume, like the skirt and dress worn by the Victorian woman, is “theologically and culturally important
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