What are the differences? And can it be argued that the distinction was not really that important?
“First of all, filmmakers should not rely on a score in order to direct the action, and that’s particularly true in any kind of narrative,” says filmmaker Brian Shuster (Moon and In the Heat of the Night), a filmmaker most known for his work with indie director Spike Lee. “That’s what makes a good film bad, because it tells you nothing about the world outside of your little brain box.” Not to mention that there are scores (which are fine), but you can’t just start throwing them around.
And you aren’t going to throw the camera around until it is in some kind of position that you can capture it, otherwise that’s not a film at all. So, you have to know the scene.
There have always been cinematography competitions, but not much ever gets done, because the best cameramen and filmmakers are in studios and studios never work out. You have to make some kind of conscious effort and then the talent will come calling.
And most importantly, it’s important to know what makes for good filmmaking.
As a filmmaker, what’s the difference between cinematography and filmmaking?
At a high level, cinematography is a technical skill. And when you have a good technical skill when you’re shooting film, there’s a lot of freedom in doing things this way.
For example, you wouldn’t be able to do all of the things that you can do with your regular camera as a filmmaker without some kind of camera setup or technique that allows you to do it well.
For example, if I was shooting an environment and a bunch of people were running around in the background, I might have to adjust or move it around to get the right amount of motion. I would have to know how to work with light and shade and position and take pictures of people and make a film without having to do all of that. It could mean shooting one sequence or taking one shot.
And that means a lot of different things, but that’s really what I mean.
What are some of the differences between the cinematography and filmmaking disciplines?
There’s this dichotomy in photography that I’ve seen between people who can do the technical level work and the non-technical work so that they might be able to make something that can be shot with a regular camera but have a lot of the film characteristics.
But at a
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