5:5, I’m going to go ahead and say that this is definitely not an actual 4:5 bar. Not at all. However, this concept works in a very specific way, and one that isn’t in rap at this moment. We’re not a 4:5 kind of band. Here are what 4:5 meant for rap. It was the ratio between the beat to the chorus. If there was a 4:5 in between the beat and the chorus, it was an upbeat. In other words, it was like a party. The 4:5 was used in “We’ll Be Together” to describe the group’s love for one another. The lyrics don’t say anything about “4:5”. “We’ll be together” or “We’re going to be together” are in reference to the group as a whole, so it’s not like a 4:5 was the only way to say it, even though 4:5 was generally spoken about in terms of “friends” or “brothers”. 4:5 also has been used in rap as a generic way of saying “I like you”, and for a band that doesn’t use it, it would be rather obvious. But 4:5 doesn’t have to be used in rap to be used in a positive way in songs. I don’t know why. Perhaps there is something that makes you want to say it when it isn’t “used” in the context in which it is written? That would explain part of it. The other part is that 4:5 is used for many things. It just isn’t used for rap generally.
So 4:5 bars are not really in rap. It wouldn’t be the first time that has happened. Rap songs didn’t exist in the 4:5 ratio in the 70s and beyond. Perhaps someone could have talked about this in the 70s and 80s. If someone told me that 4:5 was in the 70s, I would have told them not about 4:5, but about how to change the ratio to something less extreme. I have a different view at this time: 4:5 was in the 70s and 80s because the whole style of funk was about 4:5. The way people wrote, how they used their instruments, and what they did with their voices were centered a whole lot more around 4:5. I think people like funk have something to teach us about hip hop.
The 4:5 ratio really only has meaning for hip
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