It starts with a finger on the pick, and then it gets a whole drum kit started. We can either change in the mix, use different guitars, or even some drums to get a totally different sound. But if you look back to a track that has been used at some point, like on the track “Stardust”, in the mix, the bass has a different sound than on other tracks in the mix. When we are using different elements in a mix we must remember that we are mixing these elements like we are recording them. If we don’t, you do not know what these elements need to sound like and you create a situation where you can’t mix them. You have to remember that we’re just recording these elements. When you just record what you want and hope it sounds good, it’s not going to work. You have to play what you want to play and try and get what you want across. It’s always an effort to find what you are going for. I think when it comes to picking a guitar, you can get away with not following the rules because you can always make these rules when you play. But that doesn’t work when you’re playing the same thing on the same instrument over and over again.
Is there one or two songs in the entire record that have stood out to you as being the most memorable?
That’s impossible to say. On every day we have a few songs that are really memorable that we can point to. Maybe two or three; you’ve got to have the discipline to go through and find them. But, for whatever reason, it seems to go on forever. There’s a lot of stuff we never got to make.
How does working on the song “Sister Song” go?
It’s a song I have done a couple of times before I did “Sister Song.” It’s a song that I really like. There is a rhythm section on that. It’s really one of those songs where you don’t know exactly what you’re going to play on each time. I would usually get some kind of idea of where we were going. I would come in and make some notes, sometimes not even the notes, to try and get myself in the right headspace to be able to sing it. I did a little vocal take and a little bit of live improvisation just at the moment where the singer was singing the part in some kind of a trance, and if you have a singer in a trance it’s very difficult
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