A: The best method I can think of would be to simply find a note on the ukulele that is the same scale (aside from some minor and major intervals) as your chord.
So, for instance, in any ii-V-I progression with C – G – D in the key of G, the root is usually E – G and the scale is F – A – E. To play this progression we simply play G – D – E – C.
So to switch the progression to G – D – E – C and change the chord, we just play G – D – E – C.
Can you play the chord G – D – E in this progression? The correct answer is “not unless you have a ukulele.”
So the ukulele is the most obvious solution to this problem. It is also a great way to learn the major scale. But it doesn’t scale correctly.
If you play any major chord (A, E, F), then the scale you learn can be changed, but the chord will sound the same. The other notes of the scale are not changed. The same is true if you play any minor chord (b, d, g). The scale changes so that the minor chords sound like major chords, but not the minor chords.
This is called the “flattening of the major scale.”
I have heard of a similar phenomenon with the D and E scales (see the last step). This is a common mistake when players learn the major scale.
Can you play the scale G – D – E in any progression? Once again, the correct answer is “not unless you have a ukulele.”
This same principle works on any other minor scale. The same holds true for any other scale on any chord. In a major key, this applies to the Eb or Ab chords in C and D, both major. If we play C – D – E we just play C – G – D– E.
If we play D – E – C, these are called “perfect minor.” It sounds the same to the ear. But if they are on the same chord, the scale we learn will be wrong.
So the “flattening of the major scale” in the major key is much easier to learn.
There is a difference between learning the major scale in the key of G and learning it in the
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