How many have been sent to their doom? How many have returned with some of your country’s finest? If we can figure out the answers, we might learn to appreciate the truly rare talents of American artists, even without knowing anything about what it means to be a ventriloquist.
The next big challenge for the arts is deciding which ones to celebrate. For now, we know plenty of great work by artists who are in the public domain and who have no copyright or any other intellectual property rights of any kind in the works they created. This is all the more reason for us to celebrate the great artists of America whose work is in copyright but whose work is too old to be covered by traditional law enforcement. It’s time to celebrate the artists who have come up with the brilliant new works of art that can make people laugh, think, and cry.
We also know that some of the great works of art in copyright are in a more precarious position than others. These are the ones that are protected, but still worth preserving.
The first work to rise to our attention of great artists in copyright is perhaps the greatest of all great works of art, which was never really published in the first place. No one knows what it was, but the work was made in England in the 18th century. This was the painting of God from Raphael’s The Child Jesus by a French man of the 1720s, who died in exile in France in 1759. This work shows a god-like figure standing in the clouds.
One of the things that makes it unique is the use of real people who had been executed in the late 1800s as victims in executions on New Year’s Eve. As with much that was made around the end of the 19th century, the man in the painting has no connection with real life. The fact that his face looks so real in front of a group of actors may have come from the artistic genius of the man behind it.
There are other great examples of artists in copyright in the past and present that people like myself had never realized were in copyright. These are the artists whose work is in copyright or copyrightable. That is, the work is an original version of something that someone else did in a real place that had an audience. The artist doesn’t make a copy of a thing that someone else did, since that isn’t his purpose for writing the work.
This gives us pause for thought about works of art that are
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