It’s extremely hard.
And you have to learn every day.
Why do you think that is?
Because that’s an incredible commitment and a commitment that people, when they see someone that’s making the commitment, say, “Oh, they must be really good.” They do not take it. When I was young I would watch my older brother play and in that moment they were the best of the best, and they would still say things like, “It’s great that I can play something so difficult.” And then they would turn around and see other people and say, “Oh, he’s playing a violin too?
So I believe that’s important that you do not go the other way — that you do not just take lessons.
You don’t see how some players make things easier when they play.
For example, some players put more weight on the bow. When I would play violin, what is the bow like? It’s like how does anybody get this thing to move? How do you do it? I would be like, the bow is almost like a wheel! What do you do? Do you turn it on? I would turn my hand to see how things moved. I would look at the bow – I don’t know how to use it. So I would make changes and then I would play. I would put more weight on the bow. And the player would respond to that.
What we see in professional players is that they are like that. When my dad was playing for the New York Philharmonic, the bow was almost as heavy as my hand, and the guy was still doing the same thing day after day after day. For a player, it’s like a machine.
Your performance there was remarkable — both at the beginning, after the end.
Yeah. I didn’t know what to do or how to move. I was so tired when it was over. I think I really learned in that moment that I had to be confident and that I had to not rely on anybody, that I had to look at myself and just work. So that, of course, I made mistakes. But I didn’t think to take any time off, I just did what I needed to do.
You know, you play for six hours every day.
Oh, yeah, I play for six hours every day. But the one thing about violin is, you are kind of stuck in the moment. If
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