The reason why these three items are powerful items in the first place is because they are illusions. Illusions are the illusionary forms of the user, a fact known to all. The most famous examples of such illusions are the “ghosts” of the characters, the Illusionists in the “Phantom of the Opera” stage play, and the “wandering figures” that appear around the characters, especially in “Piano” in “The Wind in the Willows”. The most famous of all is the “puppet,” in which real people and real objects that had existed in the mind of one character were projected into the mind of another.
What makes such illusions powerful is the ability of its owner to control what the users see, feel, hear, taste, and touch. The only person who can perceive illusions effectively is a “phantasist.” For example, a patient suffering from schizophrenia will be unable to detect that his delusions are imaginary. But the ability to make out that an illusion is genuine is still powerful enough that a doctor can be able to tell a schizophrenic that he is mistaken. In fact, because of its power to deceive its owners and others around it, the “phantom of the opera” often uses mirrors and other tricks designed especially to obscure its deception. For such illusions to be effective upon others, they must be designed or created by the illusionist himself, with no help from those closest to him.
Illusions as illusions are usually not limited to objects in the user’s vision, but can extend to the user’s feelings and even the way he thinks. Thus, in the case of the illusionary phantom, the illusion may seem as real as the real phantom, or more real, than his imagination would allow. In one sense, the illusion of the “puppet” may be closer to the original “puppet” than it is to the actual puppet, and it still seems convincing until the puppets owner realizes that he has been duped.
But if the “phantom” in question isn’t actually real, then its owner needs to believe it is real in order to see it or feel it. And a belief is necessary even if it is false. As a rule, it is quite possible for only one delusionary character to “think” while another is “seeing.” Because of this, it is not surprising that illusions often have so many names, and they often have a range of effects. The illusion of a knife in a lock may look exactly
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