Is it a long process? Or, are they just fun?
They’re fun! They’re just fun. They’re actually really easy. You can make a lot of them. If you’re starting with a script, you can get through a lot of them. That was my initial process. The process is actually all at the same time. When you’re learning to work on movies, you want to keep the process at the same time too, but that’s not always possible.
My goal is to make it so that people don’t have to be in a place to worry about whether they’re good enough, or whether they can do it. You can let the camera go wherever it wants to go with you. I’m just trying to be creative in a way that it is fun to watch.
When you talk about filmmaking, we’re looking at a medium that’s very dynamic. You do need a lot of skill on your part — and a big commitment to work with a great actor and make it as good as you possibly can. With that you’re also going to need a real eye! The more you can focus on how you’re shooting it, the more you’ll learn about the camera’s quality and about your own performance.
One of the big things about cinema, I think, is that the camera is an integral part of the experience. You have to look at things the way the camera looks at stuff, rather than trying to manipulate it, like you do with paint on your wall. You need to give it as much information as you can before you start working on the movie and you don’t really have a choice. You have to give it the best and worst shot possible, and you don’t know by who or what. You have to let it be what it is.
If you think about it, if you have a shot of a person walking over their own head, or stepping on their own legs, or something, I want this shot to look like the picture you see and that’s good. If that’s not the shot, I want it to look cool, and that’s not great. If you take a shot of your face and a little of your hair and a little of your body, that looks cool, that’s very good.
One of the big problems in film comes from the cinematographers working on a movie. You have one shot when a camera is moving and then you have to work with the lights and the makeup crew, a little
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