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What is the best backdrop color for video? – Filmmaking Udemy

This goes out to anyone who has ever had a photo shoot or an interview in something green, or who has heard green for the first time (yes, it’s true), there is just an overwhelming amount of green. This has nothing to do with the weather. Green can be used by any light source and by any kind of lighting. It really depends on the project and the look you are going for. Personally I have always used the warm blues which make everything appear green, but I have to say that the warm blue does really get me when I am walking down the hall at work and the white room really gets my adrenaline pumping when I am out for a drink, or to the cinema during the evening.

What is the best color temperature to use for photo lighting?

There are a few different color temperatures you can use in a setting like in a studio, and they all have benefits. The warmer tones are great for studio work, and they are good for outdoor shoot. It also depends on the type of green used. You don’t want to go to extremes. In the studio, white is the best since it has the most light absorption. The other temperature that is most commonly used is an absolute blue with no reflectivity. This way you get a deeper black without any tinting. I tend to use the absolute blue tone with the white room at night as a warm light, and a white room with the dark room for a cool tone.

Why is it important to use the proper color temperature?
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The primary reason why you use a specific color temperature is to give your subjects a nice, clean, unblurred image with no glare or grain. This should be considered by any photographer who wants a really good photo with a clean, unshaded scene. The more grain or reflectivity in the photograph, the less accurate the photo. This is why the blue tone is usually used in the studio, it has the highest reflectivity and is ideal.

Can we reduce the reflectivity or increase the amount of light? Can we use flash to boost the exposure or do what we are doing with our cameras now?

There is no way of eliminating color from the final image, but a better shot will always give a clear image with less grain and less color saturation. Your exposure control system also has a lot to do with it. When shooting with flash, you typically want to use low settings and increase the ISO. In order to use flash, the light needs to travel a

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