I like to write a lot of the time so guitar is really nice because you can just play something and be like, “I’ve never played that before.” When you feel a chord, just let yourself go. I tend to not really write very deep so it’s really good to go, “Oh, okay, I can just improvise on the guitar here.” It’s a lot of fun to go to the guitar to write and write, but I feel like if you let yourself go, you can play your best songs, in that if you leave your song a bit open then you can take that melody and just add some chords around and be like, “Here, I can play a guitar riff here.” And I find that’s true. And when you do that there’s no worry about that. I don’t ever want you to be scared of your instrument, which is where the word scary comes from.
You played with the Daptones for nine years. At that point, what was it about that band that made you fall in love with them to that extent?
The name “Daptones” was such a perfect name because it didn’t really fit the vibe of the band for me at any point. It didn’t seem cool and I was like, “OK, I’m gonna go with that.” But they seemed cool, and they were the coolest band at the time. They made me do a lot of things and I love every single member of that band.
What is one thing every musician needs to have at the ready?
I am obsessed with a guitar that you can use for years and be like, “You can do this. This is what I’m supposed to do.” I have the most complete guitar in my world right now and I would put it up against the ones I have right now.
And one thing you need to have at the ready?
You need an instrument that’s versatile. As long as it can be done on your own accord, it gets done. But if your guitar has two switches, you can use either one and you’ll both be alright. With a little bit of practice, you don’t actually want to do two different things on the instrument. The guitar needs to be able to sit in your hand all the time. If it’s just sitting there like “Ahh, I’ve got that thing, I’m gonna do this, I’m gonna do that” that can slow you down. You can’t
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